Emmanuel extends contract with Dallas Opera until 2022

Emmanuel extends contract with Dallas Opera until 2022

Emmanuel extends contract with Dallas Opera until 2022

Emmanuel extends contract with Dallas Opera until 2022

Emmanuel is very pleased to announce that he will be extending his contract as Music Director of the Dallas Opera until June 30, 2022.  Said Maestro Villaume of the news:

“I am absolutely delighted to have extended my commitment to The Dallas Opera. Since the day I began as Music Director, I have been warmly welcomed into this community by everyone I have met…I look forward to working with the excellent Dallas Opera Orchestra and the Dallas Opera Chorus throughout the coming years, while collaborating closely with Keith [Cerny, General Director & CEO of The Dallas Opera, who also extended his contract until 2022] to continue to bring significant artistic projects, thrilling performances, and the world’s leading artists to audiences here in North Texas.”

The full press release is below!

 

THE DALLAS OPERA IS PLEASED TO ANNOUNCE CONTRACT EXTENSIONS TO JUNE 30, 2022 FOR KEITH CERNY AND EMMANUEL VILLAUME

DALLAS, NOVEMBER 19, 2015 – The Dallas Opera is pleased and proud to announce contract extensions for its two most senior leaders: General Director & CEO Keith Cerny, and Music Director Emmanuel Villaume. Both contracts have been extended to June 30, 2022.

General Director & CEO Cerny, who joined The Dallas Opera in 2010, will continue to lead the artistic, fund-raising, and operational activities of the company. Working with the Board of Directors, Mr. Cerny will maintain his responsibilities for programming and casting, in addition to the selection of productions, directors, designers, guest artists and conductors.

Music Director Villaume, now beginning his third season with the company, will conduct three productions each year. Maestro Villaume will also continue to work closely with the general director on season planning, as well as their ongoing efforts to bring the world’s finest performing artists to North Texas.

In making today’s announcement, Board Chair Steve Suellentrop noted the following: “Over the past five years, Keith Cerny has demonstrated exemplary leadership. His artistic accomplishments include the commissioning of three world premieres in 2015, the launch of the Titus Art Song Recital Series to fill a vital musical niche in the North Texas performing arts scene, the expansion of The Dallas Opera Guild Vocal Competition to the rank of a major national program, and the creation of the Linda and Mitch Hart Institute for Women Conductors.

“He brought a number of neglected operatic “gems” to North Texas for the first time, including Tod Machover’s Death and the Powers, Korngold’s Die tote Stadt, Peter Maxwell-Davies’s The Lighthouse and Tchaikovsky’s Iolanta.

“Keith has also reimagined the company’s relationship with the community, in all its diversity, by creating a free public simulcast program that has reached over 60,000 patrons in the U.S. and abroad.

“With an eye on the next generation of opera audiences, he led the development of an ambitious education program that presents nearly 100 performances and concerts each year to schools, community centers, and in other non-traditional locations.

“Working closely with the Board, Keith has also played a major role in achieving three consecutive balanced budgets – the first time in fifteen years that The Dallas Opera has achieved this result.”
Mr. Suellentrop went on to say, “Music Director Emmanuel Villaume has accomplished a great deal in his first two years with the company. In addition to conducting several outstanding productions, he has made Dallas his musical home; using his considerable intelligence and charm to forge extremely positive relationships with the community, our Board, and our supporters. We are incredibly fortunate to have Maestro Villaume as our Music Director, considering the constant demand for his services from the world’s leading opera companies and symphonies.”

Keith Cerny commented on the announcement: “Leading the Dallas Opera over the last five years has unquestionably been the highlight of my professional career, and I am greatly looking forward to leading the company in exciting directions in the future.

“As an opera company, we are extraordinarily blessed to have the Margot and Bill Winspear Opera House as our musical home; a magnificent, acoustically acclaimed performance space in the AT&T Performing Arts Center that provides us with an opportunity to build on The Dallas Opera’s long and distinguished musical history—and take it to new heights.

“I am equally ecstatic that Maestro Villaume has been willing to make The Dallas Opera a central part of his musical life for the next seven years. With the Board’s strong support, I appointed him as Music Director in 2013, and have been delighted with his work for the company, both on and off the podium. He is a remarkable musician and colleague, and he and I have many ambitious plans for the future of the company.”

Music Director Emmanuel Villaume also responded to the news: “I am absolutely delighted to have extended my commitment to The Dallas Opera. Since the day I began as Music Director, I have been warmly welcomed into this community by everyone I have met. This city has created a remarkable Arts District; we are especially fortunate that Margot and Bill Winspear gave so generously for the design and construction of one of the world’s finest opera houses.

“I look forward to working with the excellent Dallas Opera Orchestra and the Dallas Opera Chorus throughout the coming years, while collaborating closely with Keith to continue to bring significant artistic projects, thrilling performances, and the world’s leading artists to audiences here in North Texas.”

“The promise of a new era in opera,” Mr. Cerny added, “that began with the company’s successful move in 2009 from Fair Park to the purpose-built Winspear Opera House and the creation of the Cultural Renaissance Endowment Fund, is in the process of being fulfilled today.

“When I think back on what we, as a company, have accomplished during the fast-paced years since, it makes me look forward—with greater anticipation than ever—to the innovative and exhilarating seasons to come.”

Emmanuel is very pleased to announce that he will be extending his contract as Music Director of the Dallas Opera until June 30, 2022.  Said Maestro Villaume of the news:

“I am absolutely delighted to have extended my commitment to The Dallas Opera. Since the day I began as Music Director, I have been warmly welcomed into this community by everyone I have met…I look forward to working with the excellent Dallas Opera Orchestra and the Dallas Opera Chorus throughout the coming years, while collaborating closely with Keith [Cerny, General Director & CEO of The Dallas Opera, who also extended his contract until 2022] to continue to bring significant artistic projects, thrilling performances, and the world’s leading artists to audiences here in North Texas.”

The full press release is below!

 

THE DALLAS OPERA IS PLEASED TO ANNOUNCE CONTRACT EXTENSIONS TO JUNE 30, 2022 FOR KEITH CERNY AND EMMANUEL VILLAUME

DALLAS, NOVEMBER 19, 2015 – The Dallas Opera is pleased and proud to announce contract extensions for its two most senior leaders: General Director & CEO Keith Cerny, and Music Director Emmanuel Villaume. Both contracts have been extended to June 30, 2022.

General Director & CEO Cerny, who joined The Dallas Opera in 2010, will continue to lead the artistic, fund-raising, and operational activities of the company. Working with the Board of Directors, Mr. Cerny will maintain his responsibilities for programming and casting, in addition to the selection of productions, directors, designers, guest artists and conductors.

Music Director Villaume, now beginning his third season with the company, will conduct three productions each year. Maestro Villaume will also continue to work closely with the general director on season planning, as well as their ongoing efforts to bring the world’s finest performing artists to North Texas.

In making today’s announcement, Board Chair Steve Suellentrop noted the following: “Over the past five years, Keith Cerny has demonstrated exemplary leadership. His artistic accomplishments include the commissioning of three world premieres in 2015, the launch of the Titus Art Song Recital Series to fill a vital musical niche in the North Texas performing arts scene, the expansion of The Dallas Opera Guild Vocal Competition to the rank of a major national program, and the creation of the Linda and Mitch Hart Institute for Women Conductors.

“He brought a number of neglected operatic “gems” to North Texas for the first time, including Tod Machover’s Death and the Powers, Korngold’s Die tote Stadt, Peter Maxwell-Davies’s The Lighthouse and Tchaikovsky’s Iolanta.

“Keith has also reimagined the company’s relationship with the community, in all its diversity, by creating a free public simulcast program that has reached over 60,000 patrons in the U.S. and abroad.

“With an eye on the next generation of opera audiences, he led the development of an ambitious education program that presents nearly 100 performances and concerts each year to schools, community centers, and in other non-traditional locations.

“Working closely with the Board, Keith has also played a major role in achieving three consecutive balanced budgets – the first time in fifteen years that The Dallas Opera has achieved this result.”
Mr. Suellentrop went on to say, “Music Director Emmanuel Villaume has accomplished a great deal in his first two years with the company. In addition to conducting several outstanding productions, he has made Dallas his musical home; using his considerable intelligence and charm to forge extremely positive relationships with the community, our Board, and our supporters. We are incredibly fortunate to have Maestro Villaume as our Music Director, considering the constant demand for his services from the world’s leading opera companies and symphonies.”

Keith Cerny commented on the announcement: “Leading the Dallas Opera over the last five years has unquestionably been the highlight of my professional career, and I am greatly looking forward to leading the company in exciting directions in the future.

“As an opera company, we are extraordinarily blessed to have the Margot and Bill Winspear Opera House as our musical home; a magnificent, acoustically acclaimed performance space in the AT&T Performing Arts Center that provides us with an opportunity to build on The Dallas Opera’s long and distinguished musical history—and take it to new heights.

“I am equally ecstatic that Maestro Villaume has been willing to make The Dallas Opera a central part of his musical life for the next seven years. With the Board’s strong support, I appointed him as Music Director in 2013, and have been delighted with his work for the company, both on and off the podium. He is a remarkable musician and colleague, and he and I have many ambitious plans for the future of the company.”

Music Director Emmanuel Villaume also responded to the news: “I am absolutely delighted to have extended my commitment to The Dallas Opera. Since the day I began as Music Director, I have been warmly welcomed into this community by everyone I have met. This city has created a remarkable Arts District; we are especially fortunate that Margot and Bill Winspear gave so generously for the design and construction of one of the world’s finest opera houses.

“I look forward to working with the excellent Dallas Opera Orchestra and the Dallas Opera Chorus throughout the coming years, while collaborating closely with Keith to continue to bring significant artistic projects, thrilling performances, and the world’s leading artists to audiences here in North Texas.”

“The promise of a new era in opera,” Mr. Cerny added, “that began with the company’s successful move in 2009 from Fair Park to the purpose-built Winspear Opera House and the creation of the Cultural Renaissance Endowment Fund, is in the process of being fulfilled today.

“When I think back on what we, as a company, have accomplished during the fast-paced years since, it makes me look forward—with greater anticipation than ever—to the innovative and exhilarating seasons to come.”

Emmanuel is very pleased to announce that he will be extending his contract as Music Director of the Dallas Opera until June 30, 2022.  Said Maestro Villaume of the news:

“I am absolutely delighted to have extended my commitment to The Dallas Opera. Since the day I began as Music Director, I have been warmly welcomed into this community by everyone I have met…I look forward to working with the excellent Dallas Opera Orchestra and the Dallas Opera Chorus throughout the coming years, while collaborating closely with Keith [Cerny, General Director & CEO of The Dallas Opera, who also extended his contract until 2022] to continue to bring significant artistic projects, thrilling performances, and the world’s leading artists to audiences here in North Texas.”

The full press release is below!

 

THE DALLAS OPERA IS PLEASED TO ANNOUNCE CONTRACT EXTENSIONS TO JUNE 30, 2022 FOR KEITH CERNY AND EMMANUEL VILLAUME

DALLAS, NOVEMBER 19, 2015 – The Dallas Opera is pleased and proud to announce contract extensions for its two most senior leaders: General Director & CEO Keith Cerny, and Music Director Emmanuel Villaume. Both contracts have been extended to June 30, 2022.

General Director & CEO Cerny, who joined The Dallas Opera in 2010, will continue to lead the artistic, fund-raising, and operational activities of the company. Working with the Board of Directors, Mr. Cerny will maintain his responsibilities for programming and casting, in addition to the selection of productions, directors, designers, guest artists and conductors.

Music Director Villaume, now beginning his third season with the company, will conduct three productions each year. Maestro Villaume will also continue to work closely with the general director on season planning, as well as their ongoing efforts to bring the world’s finest performing artists to North Texas.

In making today’s announcement, Board Chair Steve Suellentrop noted the following: “Over the past five years, Keith Cerny has demonstrated exemplary leadership. His artistic accomplishments include the commissioning of three world premieres in 2015, the launch of the Titus Art Song Recital Series to fill a vital musical niche in the North Texas performing arts scene, the expansion of The Dallas Opera Guild Vocal Competition to the rank of a major national program, and the creation of the Linda and Mitch Hart Institute for Women Conductors.

“He brought a number of neglected operatic “gems” to North Texas for the first time, including Tod Machover’s Death and the Powers, Korngold’s Die tote Stadt, Peter Maxwell-Davies’s The Lighthouse and Tchaikovsky’s Iolanta.

“Keith has also reimagined the company’s relationship with the community, in all its diversity, by creating a free public simulcast program that has reached over 60,000 patrons in the U.S. and abroad.

“With an eye on the next generation of opera audiences, he led the development of an ambitious education program that presents nearly 100 performances and concerts each year to schools, community centers, and in other non-traditional locations.

“Working closely with the Board, Keith has also played a major role in achieving three consecutive balanced budgets – the first time in fifteen years that The Dallas Opera has achieved this result.”
Mr. Suellentrop went on to say, “Music Director Emmanuel Villaume has accomplished a great deal in his first two years with the company. In addition to conducting several outstanding productions, he has made Dallas his musical home; using his considerable intelligence and charm to forge extremely positive relationships with the community, our Board, and our supporters. We are incredibly fortunate to have Maestro Villaume as our Music Director, considering the constant demand for his services from the world’s leading opera companies and symphonies.”

 

Keith Cerny commented on the announcement: “Leading the Dallas Opera over the last five years has unquestionably been the highlight of my professional career, and I am greatly looking forward to leading the company in exciting directions in the future.

“As an opera company, we are extraordinarily blessed to have the Margot and Bill Winspear Opera House as our musical home; a magnificent, acoustically acclaimed performance space in the AT&T Performing Arts Center that provides us with an opportunity to build on The Dallas Opera’s long and distinguished musical history—and take it to new heights.

“I am equally ecstatic that Maestro Villaume has been willing to make The Dallas Opera a central part of his musical life for the next seven years. With the Board’s strong support, I appointed him as Music Director in 2013, and have been delighted with his work for the company, both on and off the podium. He is a remarkable musician and colleague, and he and I have many ambitious plans for the future of the company.”

 

Music Director Emmanuel Villaume also responded to the news: “I am absolutely delighted to have extended my commitment to The Dallas Opera. Since the day I began as Music Director, I have been warmly welcomed into this community by everyone I have met. This city has created a remarkable Arts District; we are especially fortunate that Margot and Bill Winspear gave so generously for the design and construction of one of the world’s finest opera houses.

“I look forward to working with the excellent Dallas Opera Orchestra and the Dallas Opera Chorus throughout the coming years, while collaborating closely with Keith to continue to bring significant artistic projects, thrilling performances, and the world’s leading artists to audiences here in North Texas.”

 

“The promise of a new era in opera,” Mr. Cerny added, “that began with the company’s successful move in 2009 from Fair Park to the purpose-built Winspear Opera House and the creation of the Cultural Renaissance Endowment Fund, is in the process of being fulfilled today.

“When I think back on what we, as a company, have accomplished during the fast-paced years since, it makes me look forward—with greater anticipation than ever—to the innovative and exhilarating seasons to come.”

Emmanuel is very pleased to announce that he will be extending his contract as Music Director of the Dallas Opera until June 30, 2022.  Said Maestro Villaume of the news:

“I am absolutely delighted to have extended my commitment to The Dallas Opera. Since the day I began as Music Director, I have been warmly welcomed into this community by everyone I have met…I look forward to working with the excellent Dallas Opera Orchestra and the Dallas Opera Chorus throughout the coming years, while collaborating closely with Keith [Cerny, General Director & CEO of The Dallas Opera, who also extended his contract until 2022] to continue to bring significant artistic projects, thrilling performances, and the world’s leading artists to audiences here in North Texas.”

The full press release is below!

 

THE DALLAS OPERA IS PLEASED TO ANNOUNCE CONTRACT EXTENSIONS TO JUNE 30, 2022 FOR KEITH CERNY AND EMMANUEL VILLAUME

DALLAS, NOVEMBER 19, 2015 – The Dallas Opera is pleased and proud to announce contract extensions for its two most senior leaders: General Director & CEO Keith Cerny, and Music Director Emmanuel Villaume. Both contracts have been extended to June 30, 2022.

General Director & CEO Cerny, who joined The Dallas Opera in 2010, will continue to lead the artistic, fund-raising, and operational activities of the company. Working with the Board of Directors, Mr. Cerny will maintain his responsibilities for programming and casting, in addition to the selection of productions, directors, designers, guest artists and conductors.

Music Director Villaume, now beginning his third season with the company, will conduct three productions each year. Maestro Villaume will also continue to work closely with the general director on season planning, as well as their ongoing efforts to bring the world’s finest performing artists to North Texas.

In making today’s announcement, Board Chair Steve Suellentrop noted the following: “Over the past five years, Keith Cerny has demonstrated exemplary leadership. His artistic accomplishments include the commissioning of three world premieres in 2015, the launch of the Titus Art Song Recital Series to fill a vital musical niche in the North Texas performing arts scene, the expansion of The Dallas Opera Guild Vocal Competition to the rank of a major national program, and the creation of the Linda and Mitch Hart Institute for Women Conductors.

“He brought a number of neglected operatic “gems” to North Texas for the first time, including Tod Machover’s Death and the Powers, Korngold’s Die tote Stadt, Peter Maxwell-Davies’s The Lighthouse and Tchaikovsky’s Iolanta.

“Keith has also reimagined the company’s relationship with the community, in all its diversity, by creating a free public simulcast program that has reached over 60,000 patrons in the U.S. and abroad.

“With an eye on the next generation of opera audiences, he led the development of an ambitious education program that presents nearly 100 performances and concerts each year to schools, community centers, and in other non-traditional locations.

“Working closely with the Board, Keith has also played a major role in achieving three consecutive balanced budgets – the first time in fifteen years that The Dallas Opera has achieved this result.”
Mr. Suellentrop went on to say, “Music Director Emmanuel Villaume has accomplished a great deal in his first two years with the company. In addition to conducting several outstanding productions, he has made Dallas his musical home; using his considerable intelligence and charm to forge extremely positive relationships with the community, our Board, and our supporters. We are incredibly fortunate to have Maestro Villaume as our Music Director, considering the constant demand for his services from the world’s leading opera companies and symphonies.”

 

Keith Cerny commented on the announcement: “Leading the Dallas Opera over the last five years has unquestionably been the highlight of my professional career, and I am greatly looking forward to leading the company in exciting directions in the future.

“As an opera company, we are extraordinarily blessed to have the Margot and Bill Winspear Opera House as our musical home; a magnificent, acoustically acclaimed performance space in the AT&T Performing Arts Center that provides us with an opportunity to build on The Dallas Opera’s long and distinguished musical history—and take it to new heights.

“I am equally ecstatic that Maestro Villaume has been willing to make The Dallas Opera a central part of his musical life for the next seven years. With the Board’s strong support, I appointed him as Music Director in 2013, and have been delighted with his work for the company, both on and off the podium. He is a remarkable musician and colleague, and he and I have many ambitious plans for the future of the company.”

 

Music Director Emmanuel Villaume also responded to the news: “I am absolutely delighted to have extended my commitment to The Dallas Opera. Since the day I began as Music Director, I have been warmly welcomed into this community by everyone I have met. This city has created a remarkable Arts District; we are especially fortunate that Margot and Bill Winspear gave so generously for the design and construction of one of the world’s finest opera houses.

“I look forward to working with the excellent Dallas Opera Orchestra and the Dallas Opera Chorus throughout the coming years, while collaborating closely with Keith to continue to bring significant artistic projects, thrilling performances, and the world’s leading artists to audiences here in North Texas.”

 

“The promise of a new era in opera,” Mr. Cerny added, “that began with the company’s successful move in 2009 from Fair Park to the purpose-built Winspear Opera House and the creation of the Cultural Renaissance Endowment Fund, is in the process of being fulfilled today.

“When I think back on what we, as a company, have accomplished during the fast-paced years since, it makes me look forward—with greater anticipation than ever—to the innovative and exhilarating seasons to come.”