• Dallas Opera: Carmen

    Dallas Opera: Carmen

    Dallas Opera: Carmen

    Dallas Opera: Carmen

    Even in the opening phrases of the Overture Friday night at the Winspear Opera House, conductor Emmanuel Villaume’s command of the nuance and unique musical language of Bizet signaled an outstanding performance in the making. Villaume made the orchestra 'sing' with the inflections of the French language, while meticulously exploring Bizet’s subtle counterpoint and instrumental colors.
    - Texas Classical Review
    Even in the opening phrases of the Overture Friday night at the Winspear Opera House, conductor Emmanuel Villaume’s command of the nuance and unique musical language of Bizet signaled an outstanding performance in the making. Villaume made the orchestra 'sing' with the inflections of the French language, while meticulously exploring Bizet’s subtle counterpoint and instrumental colors.
    - Texas Classical Review
    Even in the opening phrases of the Overture Friday night at the Winspear Opera House, conductor Emmanuel Villaume’s command of the nuance and unique musical language of Bizet signaled an outstanding performance in the making. Villaume made the orchestra 'sing' with the inflections of the French language, while meticulously exploring Bizet’s subtle counterpoint and instrumental colors.
    - Texas Classical Review
    Even in the opening phrases of the Overture Friday night at the Winspear Opera House, conductor Emmanuel Villaume’s command of the nuance and unique musical language of Bizet signaled an outstanding performance in the making. Villaume made the orchestra 'sing' with the inflections of the French language, while meticulously exploring Bizet’s subtle counterpoint and instrumental colors.
    - Texas Classical Review
  • Dallas Opera: Carmen

    Dallas Opera: Carmen

    Dallas Opera: Carmen

    Dallas Opera: Carmen

    On the podium, Emmanuel Villaume effectively uses Bizet’s music to express the drama. Using minimal but highly expressive motions, he reveals Bizet’s astounding use of the orchestra to become a character in the unfolding drama. Frequently, he uses even the briefest of orchestral statements to underline the meaning of the words. He also effectively uses connecting passages, no matter how short, to carry the audience from one thought to the next, either commenting on or preparing for the next emotion. Working without the crutch of a baton, Villaume’s hands conveyed exactly how every phrase should be played.
    - Theater Jones
    On the podium, Emmanuel Villaume effectively uses Bizet’s music to express the drama. Using minimal but highly expressive motions, he reveals Bizet’s astounding use of the orchestra to become a character in the unfolding drama. Frequently, he uses even the briefest of orchestral statements to underline the meaning of the words. He also effectively uses connecting passages, no matter how short, to carry the audience from one thought to the next, either commenting on or preparing for the next emotion. Working without the crutch of a baton, Villaume’s hands conveyed exactly how every phrase should be played.
    - Theater Jones
    On the podium, Emmanuel Villaume effectively uses Bizet’s music to express the drama. Using minimal but highly expressive motions, he reveals Bizet’s astounding use of the orchestra to become a character in the unfolding drama. Frequently, he uses even the briefest of orchestral statements to underline the meaning of the words. He also effectively uses connecting passages, no matter how short, to carry the audience from one thought to the next, either commenting on or preparing for the next emotion. Working without the crutch of a baton, Villaume’s hands conveyed exactly how every phrase should be played.
    - Theater Jones
    On the podium, Emmanuel Villaume effectively uses Bizet’s music to express the drama. Using minimal but highly expressive motions, he reveals Bizet’s astounding use of the orchestra to become a character in the unfolding drama. Frequently, he uses even the briefest of orchestral statements to underline the meaning of the words. He also effectively uses connecting passages, no matter how short, to carry the audience from one thought to the next, either commenting on or preparing for the next emotion. Working without the crutch of a baton, Villaume’s hands conveyed exactly how every phrase should be played.
    - Theater Jones

Calendar

Concert: Prague Spring Festival

PKF Prague Philharmonia
Prague - Czech Republic

CONDUCTOR: Emmanuel Villaume

CLARINET: Jörg Widmann

Stravinsky: Apollon Musagète
Mozart: Clarinet Concerto in A major KV 622
Poulenc: Sinfonietta


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Concert: PKF-Prague Philharmonia

PKF Prague Philharmonia
Prague - Czech Republic

CONDUCTOR: Emmanuel Villaume

VIOLIN: Jan Fišer

Haydn: Overture to opera L’anima del filosofo
Mozart: Concerto for Violin and Orchestra No. 3 G Major, K. 216 “Strassburg”
Vranicky: Symphony in C major “Aphrodite”


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Concert: PKF-Prague Philharmonia

PKF Prague Philharmonia
Prague - Czech Republic

CONDUCTOR: Emmanuel Villaume

HARP: Emmanuel Ceysson

Schulhoff: Suite for Chamber Orchestra Op. 37
Ginastera: Harp Concerto Op. 25
Dvorak: Symphony No. 7 in D minor Op. 70


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Massenet: Cinderella

The Metropolitan Opera
New York - United States

CONDUCTOR: Emmanuel Villaume

CAST
Fairy Godmother: Jessica Pratt
Cinderella: Isabel Leonard
Prince Charming: Emily D’Angelo
MME de la Haltiere: Stephanie Blythe


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Massenet: Cinderella

The Metropolitan Opera
New York - United States

CONDUCTOR: Emmanuel Villaume

CAST
Fairy Godmother: Jessica Pratt
Cinderella: Isabel Leonard
Prince Charming: Emily D’Angelo
MME de la Haltiere: Stephanie Blythe


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Massenet: Cinderella

The Metropolitan Opera
New York - United States

CONDUCTOR: Emmanuel Villaume

CAST
Fairy Godmother: Brandie Sutton
Cinderella: Julie Boulianne
Prince Charming: Samantha Hankey
MME de la Haltiere: Stephanie Blythe


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Massenet: Cinderella

The Metropolitan Opera
New York - United States

CONDUCTOR: Emmanuel Villaume

CAST
Fairy Godmother: Jessica Pratt
Cinderella: Isabel Leonard
Prince Charming: Emily D’Angelo
MME de la Haltiere: Stephanie Blythe


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Massenet: Cinderella

The Metropolitan Opera
New York - United States

CONDUCTOR: Emmanuel Villaume

CAST
Fairy Godmother: Jessica Pratt
Cinderella: Isabel Leonard
Prince Charming: Emily D’Angelo
MME de la Haltiere: Stephanie Blythe


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Massenet: Cinderella

The Metropolitan Opera
New York - United States

CONDUCTOR: Emmanuel Villaume

CAST
Fairy Godmother: Jessica Pratt
Cinderella: Isabel Leonard
Prince Charming: Emily D’Angelo
MME de la Haltiere: Stephanie Blythe


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Massenet: Cinderella

The Metropolitan Opera
New York - United States

CONDUCTOR: Emmanuel Villaume

CAST
Fairy Godmother: Jessica Pratt
Cinderella: Isabel Leonard
Prince Charming: Emily D’Angelo
MME de la Haltiere: Stephanie Blythe


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Massenet: Cinderella

The Metropolitan Opera
New York - United States

CONDUCTOR: Emmanuel Villaume

CAST
Fairy Godmother: Jessica Pratt
Cinderella: Isabel Leonard
Prince Charming: Emily D’Angelo
MME de la Haltiere: Stephanie Blythe


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Puccini: Madama Butterfly

The Dallas Opera
Dallas - United States

CONDUCTOR: Emmanuel Villaume

CAST
Cio-Cio-San: Latonia Moore
Pinkerton: Evan LeRoy Johnson
Sharpless: Michael Adams
Suzuki: Megan Marino


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Puccini: Madama Butterfly

The Dallas Opera
Dallas - United States

CONDUCTOR: Emmanuel Villaume

CAST
Cio-Cio-San: Latonia Moore
Pinkerton: Evan LeRoy Johnson
Sharpless: Michael Adams
Suzuki: Megan Marino


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Puccini: Madama Butterfly

The Dallas Opera
Dallas - United States

CONDUCTOR: Emmanuel Villaume

CAST
Cio-Cio-San: Latonia Moore
Pinkerton: Evan LeRoy Johnson
Sharpless: Michael Adams
Suzuki: Megan Marino


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Puccini: Madama Butterfly

The Dallas Opera
Dallas - United States

CONDUCTOR: Emmanuel Villaume

CAST
Cio-Cio-San: Latonia Moore
Pinkerton: Evan LeRoy Johnson
Sharpless: Michael Adams
Suzuki: Megan Marino


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Dove: Flight

The Dallas Opera
Dallas - United States

CONDUTOR: Emmanuel Villaume

CAST
Refugee: John Holiday
Controller: Jessica Pratt
Older Woman: Karita Mattila


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Dove: Flight

The Dallas Opera
Dallas - United States

CONDUTOR: Emmanuel Villaume

CAST
Refugee: John Holiday
Controller: Jessica Pratt
Older Woman: Karita Mattila


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Dove: Flight

The Dallas Opera
Dallas - United States

CONDUTOR: Emmanuel Villaume

CAST
Refugee: John Holiday
Controller: Jessica Pratt
Older Woman: Karita Mattila


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Dove: Flight

The Dallas Opera
Dallas - United States

CONDUTOR: Emmanuel Villaume

CAST
Refugee: John Holiday
Controller: Jessica Pratt
Older Woman: Karita Mattila


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